Author: Jessica Sommer, Conservatory of Music, Lawrence University - Personal Website

Abstract: »The stories of sexual abuse are frequently hidden and disbelieved. Healing for most victims is possible only when they learn how to confront their experience and speak about it. This issue of silence and shame around sexual abuse is embodied and embedded in several musical works. This project explores how traumatic reenactment—which can manifest as silence and shame—and the healing process and recovery, are portrayed in Babbitt’s Philomel. The progression of the narrative reflects a process of healing. Philomel begins in the throes of traumatic reenactment; she has lost her voice, as it was stolen from her by her rapist, both physically and psychologically. Through the piece, she slowly regains her voice, through community and song, and is eventually able to tell the story of her “defiling.” Philomel’s recovery can then be a message of hope for others who have endured similar experiences.« (Source: Indiana Theory Review)

Wikipedia: History of the Americas: History of the United States | Music: Milton Babbitt / Philomel (Babbitt) | Myth: Classical mythology / Philomela | Sex and the law: Rape / Rape in Greek mythology